Diminished Voice Leading Chords, Eastman T59/V

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Diminished Voice Leading Chords, Eastman T59/V
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β€œIt is never too late to be what you might have been.” ― George Eliot

Guitar Practice

Progressions Using Diminished 7th Voice Leading Chords

While there are a number of ways to work diminished chords into a progression, one great way is to add it to the end of a progression, leading back to the top.

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A diminished 7th chord is a tense, unstable-sounding chord built from three stacked minor thirds (root, minor third, diminished fifth, diminished seventh), creating a dissonant sound that creates strong tension and a desire to resolve to another chord.

Below, we look at 3 different progressions, showcasing 3 different voicings for a Diminished 7th chord. Play each progression as a loop (meaning, when you get to the end, go back to the beginning again).

Progression 1.

Progression 2:

Progression 3:


Gear Showcase

Eastman T59/V

The Eastman T59/V is a classic-style semi-hollow electric guitar that blends vintage looks with modern craftsmanship. Inspired by iconic 1960s designs, it features a 16" thinline body made from flamed maple laminate with a solid center block. This design gives the guitar a warm, open sound while helping reduce feedback at higher volumes. The antique varnish finish and tasteful binding give it a worn-in, old-school vibe that feels right at home on any stage.

The neck is made from maple and paired with a smooth ebony fingerboard, offering a comfortable feel that works well for chords, lead lines, and everything in between. With a 24.75" scale length, 12" fingerboard radius, and medium-jumbo frets, the T59/V feels familiar and easy to play for most guitarists. Gotoh relic-style hardware adds to the vintage look while providing solid tuning stability and reliability.

For tone, the T59/V is loaded with a pair of Seymour Duncan Antiquity humbuckers. These pickups deliver a wide range of sounds, from warm, smooth jazz tones to punchy blues and classic rock grit. The simple control layout β€” two volume knobs, two tone knobs, and a three-way switch β€” makes it easy to dial in great sounds quickly without getting in the way of playing.

Overall, the Eastman T59/V is known for offering high-end feel and sound at a more accessible price point. It’s a versatile guitar that works equally well for clean and overdriven tones, making it a strong choice for gigging musicians, studio players, or anyone looking for a well-built semi-hollow with timeless style.

Key Features:

  • C-shaped neck with a 12" fretboard radius
  • 1.72" nut width
  • 24.75" scale length
  • Body size: 16" x 1 3/4"
  • Seymour Duncan Antiquity Humbuckers (pickups may vary on older models)
  • Solid Full Body Center Block to reduce feedback
  • Antique varnish finish with aged nickel hardwear for a slightly worn-in look
  • Pearl Split Block inlays, with a matching pearl logo on the headstock

Check out the Eastman T59/v

Eastman Website | View on Reverb


News & Notes πŸ—žοΈ

  • Neural DSP announced a new John Mayer X Archetype - Mayer's rig rebuilt in one plugin. It features multiple amps, effects, speakers cabinets, 18-presets created by Mayer, and more. Works either with DAWs or as a standalone program.
  • Eastman announced a limited run on two models: A SB55DC/TV in Olive Drab, with Lollar Dog Eat P90 pickups, and a Juliet NYC, featuring Seymour Duncan Pscoline Filtertron pickups, and a Goldo tremolo.
  • Taylor Guitars introduced a Taylor Swift Baby Taylor acoustic guitar.
  • JHS and Electro Harmonix have collaborated on a Big Muff 2 pedal. The Big Muff Pi 2 is a slight detour from the usual Big Muff tone. Slightly lower gain, but with the signature sustain and full-bodied BMP tone known and loved by countless players. 
  • Line 6 released a new update to it's popular Helix modeler, the Stadium Update 1.2. It includes 7 new Agoura amp channels from 3 new amps, and new Showcase playback and automation engine. Check out the Andertons Music demo of it.

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