Interviews with top jazz and improvisational guitarists, bite-sized lessons, gear breakdowns, and the guitar news that matters — all in one 5-minute read.
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Lyle Brewer shares his approach to writing and arranging for solo guitar, breaking through creative plateaus, and developing a distinctive musical voice. He also offers practical advice on fingerstyle playing, practice, and learning to focus on the music itself.
Guitarist and composer Matthew Stevens talks about his evolving practice routine, the importance of rhythm and space, and the creative process behind his new self-titled album. He also shares lessons on trusting your instincts, collaborating with others, and finding your own voice on the guitar.
After years as one of Vermont's most in-demand sidemen, Bob Wagner shares the story behind I've Been Down, lessons from touring with Mike Gordon, recording in Nashville with world-class musicians, and why listening—not practicing harder—has become the key to his playing.
Jazz guitarist and composer Miles Okazaki shares the practice concepts that shaped his playing, why he wishes he'd started using a mirror sooner, what guitarists often miss in Thelonious Monk's music, and how creative constraints fuel his compositions.
From sunrise practice sessions and Segovia scales to Django-inspired technique and solo guitar exploration, Thor Jensen breaks down the ideas shaping his playing today. He also explains how blues, triads, and voice leading guide his improvisation across jazz, country, and beyond.
Lyle Brewer shares his approach to writing and arranging for solo guitar, breaking through creative plateaus, and developing a distinctive musical voice. He also offers practical advice on fingerstyle playing, practice, and learning to focus on the music itself.
Guitarist and composer Matthew Stevens talks about his evolving practice routine, the importance of rhythm and space, and the creative process behind his new self-titled album. He also shares lessons on trusting your instincts, collaborating with others, and finding your own voice on the guitar.
The newsletter for guitar players.
The newsletter for guitar players.
The newsletter for guitar players.
The newsletter for guitar players.
After years as one of Vermont's most in-demand sidemen, Bob Wagner shares the story behind I've Been Down, lessons from touring with Mike Gordon, recording in Nashville with world-class musicians, and why listening—not practicing harder—has become the key to his playing.
Jazz guitarist and composer Miles Okazaki shares the practice concepts that shaped his playing, why he wishes he'd started using a mirror sooner, what guitarists often miss in Thelonious Monk's music, and how creative constraints fuel his compositions.
The newsletter for guitar players.
Lithuanian guitarist Dominyka Mauliūtė discusses creativity, individuality, and blending jazz with cinematic textures and philosophy—while building a deeply personal artistic voice shaped by emotional honesty and intuition.
Will Brahm shares insights on practice routines, closed-position playing, improvising over complex harmony, and creating expansive textures in a trio setting. He also discusses his current gear, composing process, and upcoming album.
Harrison Whitford talks about his evolving approach to guitar, the creative freedom of alternate tunings, and the lessons he’s learned from playing with Phoebe Bridgers.
