A brief weekly email featuring the playbooks of today’s top jazz and improvisational guitarists, easily-digestible guitar lessons, and the most interesting guitar gear & news.
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After years as one of Vermont's most in-demand sidemen, Bob Wagner shares the story behind I've Been Down, lessons from touring with Mike Gordon, recording in Nashville with world-class musicians, and why listening—not practicing harder—has become the key to his playing.
Jazz guitarist and composer Miles Okazaki shares the practice concepts that shaped his playing, why he wishes he'd started using a mirror sooner, what guitarists often miss in Thelonious Monk's music, and how creative constraints fuel his compositions.
From sunrise practice sessions and Segovia scales to Django-inspired technique and solo guitar exploration, Thor Jensen breaks down the ideas shaping his playing today. He also explains how blues, triads, and voice leading guide his improvisation across jazz, country, and beyond.
Jack Handyside emphasizes a purposeful approach to practice, staying curious and focused on what truly inspires him. He also shares how collecting musical “seeds” and exploring counterpoint has expanded his creativity, improvisation, and understanding of harmony.
Brad Barr opens up about the daily habits and disciplined routines that keep his guitar playing sharp and expressive. He also reflects on how his songwriting has evolved over the years and the gear that helps him shape the tone and textures that define his sound.
After years as one of Vermont's most in-demand sidemen, Bob Wagner shares the story behind I've Been Down, lessons from touring with Mike Gordon, recording in Nashville with world-class musicians, and why listening—not practicing harder—has become the key to his playing.
Jazz guitarist and composer Miles Okazaki shares the practice concepts that shaped his playing, why he wishes he'd started using a mirror sooner, what guitarists often miss in Thelonious Monk's music, and how creative constraints fuel his compositions.
The newsletter for guitar players.
Lithuanian guitarist Dominyka Mauliūtė discusses creativity, individuality, and blending jazz with cinematic textures and philosophy—while building a deeply personal artistic voice shaped by emotional honesty and intuition.
Will Brahm shares insights on practice routines, closed-position playing, improvising over complex harmony, and creating expansive textures in a trio setting. He also discusses his current gear, composing process, and upcoming album.
Harrison Whitford talks about his evolving approach to guitar, the creative freedom of alternate tunings, and the lessons he’s learned from playing with Phoebe Bridgers.
The newsletter for guitar players.
Nick Granville shares a focused, experience-driven approach to guitar, emphasizing strong rhythm, improvisation, and developing a personal practice strategy. He also reflects on teaching, gear, and how his YouTube channel has become a meaningful way to reach and help other guitarists.
The newsletter for guitar players.
From sunrise practice sessions and Segovia scales to Django-inspired technique and solo guitar exploration, Thor Jensen breaks down the ideas shaping his playing today. He also explains how blues, triads, and voice leading guide his improvisation across jazz, country, and beyond.
The newsletter for guitar players.
Jack Handyside emphasizes a purposeful approach to practice, staying curious and focused on what truly inspires him. He also shares how collecting musical “seeds” and exploring counterpoint has expanded his creativity, improvisation, and understanding of harmony.
